stug music was born in april 2007 organize events in the netherlands. club venues like paard van troje the hague, doornroosje nijmegen & studio 80 amsterdam were homebase of 55 events where (inter)national artists were invited. focus on programming (inter)national heroes of the past, the present & the future it was always a big wish to start a music label. january 2018 was the digital premiere of stug music, label & events runned by bart van rijn. two original tracks from the founder remixed by specialists in their genre perel & rhadow. with the second release in prospect a special vinyl >remix edition< will be pressed also remixes from kris wadsworth & carlos nilmmns. from dance floor orientated house & techno to indie electronic music.

culross close follow up their 2016 debut album home with a potent offering entitled moments. the quartet (a moniker of k15) meld fusion and future grooves to create a captivating ride through some of their recordings. from the opening manifesto, the listener is thrust into a world of purpose and understanding. slow your stroll is where the record begins to unfold, as floating synths and percussion carry the groove. what follows next is the hypnotic inna trice, the rawest of all the recordings where snares and sincerity collide. the record closes with unison (a future groove if there ever was one), a number that showcases the quartet s ability to truly explore their momen

the levels of deep that trinidadian deep can reach with his sound are almost unfathomable, and he s at it once again for deepartsounds. as if he needed any help getting down low, sarignia bonfa lends her steamy vocals to i need you- and the trademark trini sound gets into a whole new realm of sensuality. fusion pulls things out of the boudoir and into the sunlight, bringing some of that infectious, uplifting soul to the table that he made his name on. future funk places some synths at the front of the mix and sharpens the edges of the drumming, giving the brain one last blast before allstarr motomusic steps up for a remix of i need you that goes down very smooth indeed.

ltd 2018 repress - gay marvine (pronounced gay marveen) is back once again proving his limits are far beyond most, this time exposing the deeper hedonistic elements hidden deep within pop music. what emerges through his filter of reshaping and repurposing and incredibly fine ear for pacing is 4 perfectly distilled late night jams, a magick far beyond anything aleister crowley could conjure. this is the 10th volume of the secret mixes fixes series, in our never ending quest to show unique sides to late night classics, forgotten gems and things so obvious you may already be sick of them, but you arent when you hear gay marvines take on it. we are further expanding this concept in the future with some even cheekier choices for the next fix records and a brand new sub-label to represent gay marvines burning disco side, bathhouse etiquette. the bathhouse etiquette eps will showcase the many facets of gay disco as seen through gay marvines eyes. you have been warned.

body music lp produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety. heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. the triple vinyl release includes insert, printed sleeve

boyd goosman is back again to delivers an atmospheric, deep and emotive ep, based around a sparse palette of deep synth, warm bass and whispering vocals. the understated beauty of this record will touch every ‘emotive techno’ lovers! the bristol native kamikaze space programme (mote evolver, killekill…) deliver here a fantastic dub techno remix in a massive attack / bristol / future sound of london style. highly recommended! 300 copies limited!

2018 white vinyl repress incoming!
genosha basic artists, ghost in the machine make their perc trax debut! full picture sleeve perc trax returns to the dance floor after the political firestorm that was perc s bitter music with the debut release on the label from the netherland s ghost in the machine. the perc and therefore perc trax name stems from the word percussion and these three drum-focused tracks sum up the label s name perfectly. rarely appearing away from their own genosha basic imprint this ep hits as hard as anything on perc trax in recent years and along with recent releases from ansome and scalameriya ushers in a new wave of artists and a distinct new chapter in the perc trax story. the holy grill commands the whole of the a-side and charges forward until a reese led breakdown gives you a moment to pause for breath. the b-side contains two percussive workouts that have enough movement and development to them to elevate them above simple drum tools. as b2 track pskdt s locked groove loops endlessly (a first for perc trax), it is clear this ep is a hard-hitting statement of intent from a duo you should be hearing a lot more on perc trax in the near future.

four absurd audio release for one special price:
- dj hektek - some prime time horror shit
- autopsy & dj tugie - signal damage ep
- dj mutante - here we go! ep
- the speed freak - mash of unity ep

the pampa, filled with enigmatic lines and geoglyphs known as nazca, gives name to this record label. nazca records was created to collect the music that viracochas (beings of other worlds), shared with the ancient nazca people, known for their love for music, dance and nature. these recordings represent the music that was once played in another time and that will be played again in the future…they are the memories of the future. each vinyl and recording tells a story of the memories from each ceremony that took place in the pampa colorada, from music that was played, and of the figures and lines that the nazcas used to show their gratitude to the viracochas. maybe you’re wondering how its possible or how we were able to capture those recordings in nazca records to then press to vinyl. it has been discovered that if an intelligent or exotic species wanted to connect to others, they would use radio signals as they can travel any distance and require very little energy to send. the logical wave frequency to communicate would be 1420 megahertz, which is the frequency irradiated by the neutral hydrogen, when its atoms interact between each other. based on this info and knowing that hydrogen is the most abundant element in space, and after a lot of tries, in the end we were finally able to make the first contact with the viracochas! this third vinyl contains recordings of the viracocha thodoris triantafillou. a disc, a journey, a history, a contact narrated along 2 tracks and completed by the remix of one of the most famous viracochas remembered love over entropy.

a primer on london’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. a set of nine newly-recorded tracks, we out here captures a moment where genre markers matter less than raw, focused energy. surveying the album’s running order, it could easily serve as a name-checking exercise for some of london’s most-tipped and hardworking bands of the past couple of years. recorded across three long, fruitful days in a north west london studio, the results speak for themselves: they’re a window into the wide-eyed future of london’s musical underground.

one of italy’s finest house music exports nicholas teams up with legendary vocalist nikki-o to create the blissful ‘sound of earth’ ep for shall not fade. nicholas serves up four of his signature house jams, this time with the ever impressive nikki-o - a vocalist who has previously&#8203, &#8203,worked&#8203, &#8203,with&#8203, &#8203,moodymann,&#8203, &#8203,amongst&#8203, &#8203,others. housed&#8203, &#8203,in&#8203, &#8203,full&#8203, &#8203,sleeve&#8203, &#8203,artwork,&#8203, &#8203,with&#8203, &#8203,inner&#8203, &#8203,disco&#8203, &#8203,bag.

ll321 is a prolific music producer. from atmospheric electro tunes, to rough acid techno tunnel, and sometimes through experimental idm tracks, he always gives a personal and pelicular touch to his music. let s say his soul is constantly beside the notes. after a first ep released by activities rec in 2015, -coincidentia oppositorum-, he s back with 4 brand new pieces recorded with an original touch, combining the past, the present and the future... pharmakon ep.

with a brimming catalogue of music that operates in the more adventurous quarters of the techno music genre, a sagittariun preps his first release of 2018, with a remix disc of one the holy grail of tracks from one of the most endearing electronic acts of the 1990s. the sabres of paradise, aka andrew weatherall, gary burns and jagz kooner, released a clutch of acclaimed albums, singles and remixes between the years 1992 and 1995, when the trio disbanded. three albums for warp, remixes of the future sound of london, leftfield & lydon, bjork, new order and the dust brothers (aka chemical brothers), and not forgetting the now legendary smokebelch ii single, which must have soundtracked hundreds of thousands of sunsets and chillout after hours over the years, have left a huge treasure trove of a catalogue as part of their legacy. one production though has gone down in sabres folklore, since its release was limited to inclusion on one multi artist compilation cd album only, and it is this track, lick wid nit wit, that a sagittariun has unearthed, licensed and re-moulded, 25 years after it was produced, for release on his elastic dreams label.

2volt and emasa land their first posthouse ep on eademvoce. four tracks that serve all needs, with a strictly selected sound palette declined in four different moods. a1 delivers the hypnotic energy which is necessary to take off in a brief and significant journey into the past future. a2 is a pit-stop, giving the listener a pause to gaze around, leaving a chance to the mind evaporate into the synthetic atmospheres. b1 turns the situation in a determined hunt for something hidden, in a scenario dominated by rubbery tweaks and acid stabs. b2 is the celebration of arrival, the success of discovering something unique traveling in an acid path that cross a forest of morbid synths.

-spacefunk- re mastered remixes from doc scott s nasty habits, photek s special forces, future bound, goldie s rufige kru.

shrunken heads” is something we were just kicking around at the time the label was starting to take shape, we felt it to be a good narrative of our influences and visions of how we see acrylic taking shape in the future. kid drama has kindly put together a killer remix for us to celebrate the labels beginning. he has been a massive inspiration for us all musically over the years and we are very humbled to have him on board with the first output. thanks hugely damon for taking time out of your schedule to do that. “motion design” came together fairly quickly, it was made with intent to homage the sound of the old guard we admire to o er our own contribution to that sound. all vinyl are strictly limited edition, and limited to 300 pieces per run. there will never be a repressing of any series. once each release is gone, they are gone forever. mastered and cut by beau at teneightseven. artwork and design by dave knapton at multiplex

omar s, the best - omar-s slides into 2018 with a new 12 inch with two future classic.

the four-tracker features dense techno with individual moods. “revelation” is a downbeat lurching machine-giant with repeat climaxes. “concussion” is broken and feverish, with sculpted layers of pressure. the momentum of “locust” drives on the edge of an untravelled path and cannot rest. the final track “gravity” is subtle and snarling, with a slowly ascending melody, scraping against future and past.

it s karchello s turn now. he s the guy who saw the future. welcome in our little of lauterborn world. zentrale lässt grüßen!

lp in printed innersleeve + download code. new album solitude combines instrumental hip-hop and forward-thinking electronica. razor-sharp pieces of future soul, boppin from the deceptively light and skippy to whirlpool synthlines and hydraulic sub pressure.

we are extremely proud to announce the return of pye corner audio to lapsus records with the ep, -where things are hollow-, comprised of four breath-taking songs that transport the listener to a dystopian future throughout its twenty-four minute duration.

special triple pack for all you freedom sessions lovers out there - contains 3 classic releases:
frees06: petr serkin - we will greet you
frees07: petr serkin - magic roots ep
frees08: petr serkin - old tales from the future ep

khalab has arrived onthecorner with ‘zaire’. ‘zaire’ is the beginning of a new narrative for the artist. in this first chapter khalab creates urgent compositions with layers of sound from the past, present and future. ‘zaire’ is underpinned by an intensely pounding heart of other-worldly percussion. the collaged loops frenetically jab in syncopation breaking off when the inherent swing casts its discrete groove to summon the dance. unrelenting waves of synthlines, basslines and rhythm find harmony amongst the melodic chants and distortion.

dino lenny s fine human records introduces the electronic talent of black mami with two dark and hypnotic driving cuts. title track industria con vista leads the release with its enticing and cinematic retro-meets-future mood. a theme that continues on tokyo express , which plays out like the soundtrack of an imaginary meeting between black mami heroes, trevor horn & yello. his most recurrent of dreams.

studio barnhus top sound killer matt karmil returns to label in perfect form, bringing an eps worth of those very best matt karmil dance tracks in world-famous reduced but-raucous style. four club-toppling, festivalcapsizing, dj-humbling supertools - cut by professionals and released by enthusiasts. tell me why is karmils first studio barnhus release since 2015s dans-maxi fran nacksving. apart from recent solo appearances on idle hands and smalltown supersound, he has lent his studio magic to some of dance musics finest current and future releases, on our label and elsewhere. this is the first record ever with his face on it a studio barnhus exclusive

intergraded is a new label started by midland to focus on releasing music by new artists, whether unknown, emerging or established but working under a new name. the first release sees body in the thames, peach, jay and webstarr help inaugurate the label. the idea for the label came about after being sent unreleased music and ideas by a number of artists over the last year. as i plan to focus graded on my own midland solo work for the foreseeable future, and with regraded occupying a different aesthetic plane altogether, the logical step was to start a new label that could help introduce this music to a wider audience. harry agius aka midland

body music album teaser is produced by a man who needs little introduction. thomas p. heckmann has flexed his prowess across all shades of electronic music, but it’s his contributions to ebm-techno, acid, industrial, and experimental that has earned him his notoriety.
heckmann has utilised 30 years worth of acquired knowledge to create a hard-hitting album and teaser which bears all the grit he is known for - harmonising analogue and digital wares to create an utterly immersive 14 track album. this 3 track teaser gives you a taste of what is to come.

the moniker of acclaimed production/dj duo bonar bradberry and tom thorpe – have been making moves and making music together for almost a decade now. but the time has firmly come for them to release their long-awaited debut album ‘late night party line’, which features guest vocals by mattie safer from the rapture on future single ‘everything changes’, danielle moore from crazy p and hotly tipped newcomer lilly juniper.

raw, soulful and agitating: glenn astro, the humble house sorcerer from berlin, produced four tunes and a sweet interlude for mule musiq that point out: house music is still heading for the future.

ltd copies

needle paw is the first solo album by nai palm, the lead singer and composer of r&b future soul outfit hiatus kaiyote. needle paw is the rawest glimpse into nai palm’s musical world. it is dreamlike, honest, and beautifully transparent, revealing her musical ruminations to listeners with a courageous vulnerability and artistic generosity. pressing on 180 gram audiophile double vinyl, housed in a gatefold sleeve.

ltd edition of vinvl release .after the last jezgro release by merzbow, the forthcoming one will be experimental, noise and dub created by submechanical, that is no novice in the experimental music. he was one half of noise/dubstep project cloaks and was involved with the 3by3 label. among many other releases the latest release on 3by3 was from jk flesh (justin broadrick of godflesh). when cloaks ground to a stop, the submechanical solo project was born. armoury ep is contained of smashing 4 tracks. tracks pressure and ea2277 are great openers - slow, eerie noise sounding like it s from the future dystopian wars. wave after is on b side, a track that is very crushing and distorted dub. the last track is armoury and it is a hard beating and crunching off beat track.

cold busted has navigated the smooth seas to unearth sailing, the new album from moroccan guitarist and beat-flinger saib. the casablanca- based producer has steered his sound into warmer waters. mixing tempered hip-hop beats with jazzy vibes and a lounge sensibility, saib. touches on a style thats both chill and opulent. the albums opener, archipelago, sets the scene with gentle piano, swirling strings, and beachside sounds that would make martin denny proud. tropics pushes the agenda further, featuring delightful vibraphone lines, stand-up bass, and boom bap beats, providing the perfect soundtrack for poolside cocktails. the sleepy crooning of blue memories, the future-retro sing-a-long of mermaid dreams, and the guitar/vibes interplay of pastel provide other highlights. sailings twelve songs show saib. as an artist capable of bringing a sunny climate to any listening environment

the music of giuseppe leonardi moves through the brain in psychedelic and playful ways. young giuseppe prepared his shamanic amalgamation of percussion, athmosperes and synth patterns some summers ago in the catacombs of vienna. machine sounds from a glittering future. he shifts his instruments out of the timezone and takes us on a trip in his cosy dinghy. tracks like maga and invitro are moving the dancefloor towards a cosmic universe

to celebrate this new year série limitée is proud to announce a new release on hors série sub label. whitek project was born in 2011 from the collaboration between two italian producers: mud.on & mauro rizla. this is not about hype or chasing music trends, whitek has always been about pushing the boundaries of electronic music through an endless search and deep dive exploration of any kind of sounds. a groovy blend, offering various styles and traveling between past and future. with one artist per side, we are moving away from our standard va format, always used on série limitée releases. inside this -papier-mâché- sleeve, you will find a 12- vinyl containing 4 rough and eclectic tracks in a universe where deep embraces dub sonorities.

after the widespread acclaim for shoulders back and july v, leif fires up his 10 inch tio series with another pair of dazzling, future minded cuts for the more inquisitive dancefloor. increasingly he s been moving away from house and techno conventions towards intriguing broken beat variations, and that s apparent in abundance on this new release. bluebird rides on a set of tough but dynamic drum ripples, but the stand-out element is the gorgeous twinkling arpeggio that pirouettes over the top of the beat. number 13 meanwhile takes a moodier, dubbier approach without losing that deft programming, harmonic warmth and crafty rhythmic interplay that has become leifs calling card in recent times.

rave or die is delighted to welcome another techno rave pioneer into the fold. neil landstrumm (tresor, peacefrog) has been the key figure of the scottish experimental sound for more than two decades now, multiplying nasty cuts under numerous disguises including die fly die, navario sauro or polaris whilst spearheading future funk on his well known scandinavia records. on rod number nine, neil teams up with edinburg producer and sativae founder dave tarrida to deliver a banging morocco tune made of pumpin basslines and crunching breaks! these guys are no joke when it comes to set fire on the dancefloor. on the flipside, rod mastermind umwelt strikes back with (u=e-rl), an enigmatic equation and most probably the secret formula to smoke warehouses! old schoolish grooves with some extra muscle acid lines fused into heavy kicks turn this mental track a la the mover into an ode to rave music. a perfect combo of 4/4 anthems in their purest and primitive form, a 10inch that melds disparate sounds with scary intends!

after the widespread acclaim for -shoulders back- and -july v-, leif fires up his 10- tio series with another pair of dazzling, future-minded cuts for the more inquisitive dancefloor. increasingly he s been moving away from house and techno conventions towards intriguing broken beat variations, and that s apparent in abundance on this new release. -bluebird- rides on a set of tough but dynamic drum ripples, but the stand-out element is the gorgeous twinkling arpeggio that pirouettes over the top of the beat. -number 13- meanwhile takes a moodier, dubbier approach without losing that deft programming, harmonic warmth and crafty rhythmic interplay that has become leif s calling card in recent times.

possession records proudly present the new album by soft riot, entitled -the outsider in the mirrors-. soft riot is the stylised musical alter-ego of jjd, canadian by birth and an ex-resident of london and sheffield, now based in glasgow (so not unfamiliar with sites of post-industrial decay!). with over twenty years of playing in various post-punk and synth-punk bands, he has been crafting the sound of soft riot since the early turn of the decade, releasing a slew of albums across a multitude of labels and touring obsessively around europe and beyond. with -the outsider in the mirrors-, his sixth full-length, he has found a new home for his sound on possession records, a fledgling glasgow imprint founded by jjd, claudia nova (aka hausfrau) and andy brown (ubre blanca). their aim is to bring together their pool of musical talents and provide a more permanent home for their future creative endeavours, whether it be music, video or otherwise and to experiment with what it is to be a -label- in the ever evolving 21st century. future projects and releases will see them getting a select group of their peers and friends involved in possession s focused vision, locally or from further afield.

the brilliantly beguiling r-zone series hits release number 20 with another genre defying four track ep by no one knows who. as always, the music looks backwards to go forwards and frantically blends breakbeat, rave, acid, house, electro and techno into wild new forms. the geometry of shadows kicks off with a flurry of pinging kick drums, rushing synths and smeared chords that manage to be physical yet serene at the same time. chrysalis is deep detroit style house with gurgling basslines and warm future soul synths extending off into the cosmos. ship of tears then races through the galaxies as asteroids, shooting sci-fi synths and glassy melodies all fly by in enchanting fashion, acid is buried deep within and the drum programming is busy and direct. the parliament of dreams closes things down with more haunting celestial pads and cold acid lines that are all backed by boom-bap breakbeats. its dance floor euphoria of the highest order once more.

memory distorts itself, reshaping past & future alike.
rosewater ctz’s crush ep exists in the space between fantasy & recollection. its ethereal soundscapes, guitars and driving drum breaks depict a fragile utopia. this 6 track ep alternates ambient and club tracks, weaving together states of absence and presence.

featuring 170 locked grooves of royalty free infinite loops! precision-cut loops and quality sounds are integral to electronic music production and performance, even in the analog domain. djs will be able to sample irrupt sounds in the form of the first open-source, copyright-free, physical vinyl release. this tactile vinyl release will showcase irrupt’s rock-solid, no-restriction, future-proof licensing structure with an invitation to djs to freely use the royalty-free loops, without fear of copyright constraints. this double vinyl 12-inch, mastered by engineer mike grinser (aphex twin, richie hawtin) at manmade mastering in berlin, will offer vinyl dj’s ‘open source tools’ for use in live performance or advanced studio trickery.

supremewax is future boogie space funk electrosoul! first release comes from the very talented dadpnts - more to come!

a voice in the ether. a calm, clement drone. a gentle, pulsing throb. like the ghost of a forgotten future as imagined by the distant past, certain creatures sophomore lp nasadiya sukta is a study in timelessness - crystalline, heartfelt ambient music designed to push light through shadow. nasadiya sukta is the debut release on mysteries of the deep, a record label dedicated to total sensory immersion. mysteries (as its known colloquially and affectionately) launched in 2011 after a particularly fruitful late-night mixing session, first as a cult podcast series dedicated to narcotic music of all kinds, subsequently expanding into a series of seasonal events. now, with the release of nasadiya sukta, mysteries of the deep becomes a full-fledged outlet for music to play in the dark. certain creatures is the alias of brooklyn-based artist oliver chapoy, and nasadiya sukta was crafted especially for mysteries of the deep. its genesis came when grant aaron, mysteries proprietor, tapped chapoy to perform at mysteries halloween event in 2015. his performance was the nights axis point, bridging earlier subdued sounds with late-night upbeat moods. two years later, reworked and reconfigured, this performance is reborn as nasadiya sukta. although divided into six tracks, nasadiya coheres into a single extra-terrestrial mass, its beautiful understated elegance encouraging repeat listens. simultaneously harking back to ambient classics from the 90s (you know who they are) while cementing chapoy as a visionary artist with his own unique voice, nasadiya sukta is one for the space travellers indeed.

centrifuge ep is the debut vinyl release on new hardgroove techno german label called kickmasomaass. this label was especially created to bring high quality hardgroove and tribal techno music for the real djs and a new life to vinyl. centrifuge ep is the first part of two vinyls where you can find a original version from slovakian hardgroove techno dj and producer andy bsk and three remixes from g8, goncalo m and wyrus. untill the original version is characterized by a groovy bassline with smooth percusions and synths, the g8 remix goes a little higher and bring the entire track to another level with great progressive sounds of trance and techno with a little acid synths too. don t need to write too much about the remix from hardgroove icon goncalo m because all hardgroove fans know how great his music work is. only a couple of words: killer beat, killer bass, killer percussions, this track kills all clubs and partys. next remix is from hardgroove producer wyrus. his remix is based on a killer beat with heavy percussions and at the lenght with over seven minutes is this track great for mixing. centrifuge ep is for all people they love hardgroove techno and we from kickmasomeass label will bring you only the best from the best. hope you all will appreciate our work and will support our label in the future too. may the hardgroove techno be with you.

more fire from aaron broomfields archive, here we have two sought after sides. im gonna miss ya was transferred from tapes by aaron himself and is a brilliant boogie joint thats highly coveted on many scenes for good reason. on the flip we have got the super rare and relatively unknown does anybody really know, one for the heads, no master exists for this but jeremy underground kindly lent me his minty copy to master from, jeremy is a man who possess extremely good taste in modern soul and disco and who we will be working with more in the future

kosmoramadisco vol. 1 is the first of a series of compilations that kosmoramadisco label wants to release from this year to the near future. the vol. 1 shows a sampler of few of the first tracks produced by different electronic artists. the label presents a wide range of electronic styles all with a spaceship common ground, from italo to dark disco and slow mo all wrapped in club dancing format.

prolific producer mathis mootz is very well known within the drum/bass and hardcore techno arenas as being one of the innovative pioneers to merge both genres with an unique approach. his contribution to the electronic music community is not limited to his explorations within only the drum and bass and hardcore genres, mathis also has various experimental projects, most noteworthy being his m2 ( squaremeter ) project with releases on mille pleateux, ant-zen and hands productions. the sound of m2 is defined as a combination of micro sound and industrial soundscapes. the panacea is no stranger to the world of techno as some may suspect, his command of the position chrome record label came from his close relationship with force inc. music works which was one of the earliest german record labels to fuel the underground techno/rave scenes in the early 90’s. since position chrome came under his guidance in 1997 it has become one of the most important labels in electronic music due to it’s integrity and an impressive release of quality music for it’s genre. more recently, he has been investigating the techno landscape with david frisch together known as new frames, their latest release on hands productions is essential for those interested in contemporary electronic music of the dark techno/industrial kind. “ above the absolute “ is a 12’’ of mercenary techno produced with expert skill. the opening track “ above the absolute 96 “ is pure sound wave balance with all the components for what is sure to light any dance floor on fire. “ most basic resolution “ is a dark, mood shifting, hard acid techno reminder of what it means to create music for warehouses, pure old school for the hardcore. “ overdrive ee “ continues in a more contemporary direction and demonstrates a mastery of percussive elements in tune with the kind of atmosphere that brings people together in the dark. the final track “ walter “ goes back into the future with a track aimed at the headstrong, an exceptional closing chapter that hits dead centre on the search of the perfect beat. an overall completely impressive work from an artist who has set no limitations for himself.

philipp boss is a new cat to the scene but he is most definitely here to stay. we re really happy to present his first long player titled -boss-. expect nothing less then a future classic in house music history.